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Wherever Perfect White is Seen, the Ground is Horizontal or Nearly So
This body of work and essays resulted from a nine-month collaboration with Amelia Katanski, a scholar of American Indian literature whose work examines relationships among storytelling, law, educational institutions, and indigenous ecological knowledge. Wherever Perfect White is Seen, the Ground is Horizontal or Nearly So surveys issues of land-use, displacement, and personal and public geographies and resulted in an exhibition of sculptures by Lindley paired with essays by Katanski.
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